EXCERPT FROM SARAS JOURNALJanuary 4, 1999
Cortijo Huerta de Santa Maria
Near Galaroza
Seville is a sprawling sculpture. Weve never seen streets so
narrow. The walls of the Santa Cruz district are so high we are immediately lost, and wind
our way, like lab rats, towards a plaza, and then the huge, Gothic Cathedral with the
Moorish La Giralda (bell tower). Across the Avenida de la Constitucion, at
the Arco del Postigo, is the Booking Office for our rented house. I have arranged
to meet with Nacho this morning and get directions to Huerta de Santa Maria.
Nacho is not here today, and we speak Chari, who makes a great effort
to speak to us in English. She arranges with the houses proprietor for us to arrive
this afternoon and we leave Seville quickly, following the road Northeast, towards
Portugal.
Galaroza is a small pueblo; close to the larger town of Aracena, set
high on a hilltop, tiered and crowned by the remains of a Templars castle. These
villages nestle like barnacles in this hilly region, roughly 100 kms from Seville.
We have been told to drive to the neighbouring village of Fuenteheridos
and call Senior Javier Lopez from the Plaza. He has been instructed by Chari to look for
an old Alfa Romeo, but we are conspicuous enough to be noticed easily by anyone, and are.
The townsfolk in the plaza are going about their business. Young men screech into the
square on their motos to have conversations with amigos. We stand at Alfi, in the
glaring, warm sunlight, and stick out like sore thumbs.
A few minutes pass and a tall, skinny man with a salt and pepper beard
approaches us from the other end of the Plaza. He wears baggy chinos and sunglasses and a
plaid shirt. He looks a bit like my father. He is smiling. We introduce ourselves. We
follow him in his Citroen mini-truck, back to the main road, and then a few kilometres to
a veering dirt road. The road is an Alfi nightmare. Very uneven and covered in blowdown,
it crosses a stream and then winds through the trees and up a hill. Alfi bottoms out and
creeps along the road until we catch up to Senior Lopez at a carport made out of trees and
tree branches.
This house is a 17th century former ecclesiastical retreat.
It is made of brick and tile, and sits at the top of a forested rise with grazing land
behind and gardens. The houses reddish brown brick blends with the reddish brown
earth. The façade is covered with ivy. Senior Lopez lives in this house, and has
renovated the building completely. The second floor is our rented accommodation. It is
classically Andalusian in character, with plastered walls, red tile floors, arched
doorways and simple, understated furnishings. There are four bedrooms, each loosely
painted a different colour, from matte cobalt to ochre to sienna to cadmium rust.
Theres a large salon with a wood-burning stove and a long dining table. When we
enter the room, an Aria floats. A stereo in the corner emits unbelievable acoustics. There
is also a covered balcony and two bathrooms. Theres a clothes washer. The kitchen is
equipped and Senior has stocked the fridge with beer, champagne, wine and milk. On the
tiled counter sits a basket of eggs. There are potatoes and onions as well. He takes us to
the side of the house where there is a chicken coop and shows us how to retrieve our eggs.
Gabled ceilings with exposed beams, dormer windows and alcoves are reminders of the
buildings original purpose. It is quintessentially rustic. It is simply wonderful.
Senior Lopez, who wants us to call him Javier, shows us the main floor,
where he lives. It is equally exquisite in character with modernizing renovations while
maintaining the spirit of the place. It seems Javier lives here alone, although his four
children, ages 16 to 27 visit him and live in "our" part of the house. In fact,
our bedrooms include their books and photos and collections of ceramics and other
decorative items. Javier has a fox terrier named Chucha.
Javier asks us if we would like to eat, and we unload the car while he
prepares a tortilla. He seems to be alone here, dropping out of society and
self-sufficient on this property. It appears he has renovated himself, and a few rooms
remain in progress. We sit on a patio, basking in the sun, beside a vast greenhouse of
cacti. There are hundreds of varieties, some flowering tiny, delicate pink blossoms.
Javier tells us one of his sons studies gardening, and has landscaped the surroundings of
the house and developed this greenhouse. It is 25 degrees, but Javier tells us this is
abnormal, and that autumn is the best.
Javier speaks French. We sit down to an onion and potato tortilla with
a completely organic, warm salsa made of tomatoes, peppers, and onions. We have red wine
and water from a natural spring. The spring water runs through the pipes. He tells me to
pour out my bottled water. There are sweet, dripping oranges and chocolate for dessert.
The food is delectable. We are overwhelmed and wondering what lies
ahead. Javier is very friendly. Will we be his guests for the next month? How much privacy
will there be? This is an entirely new experience for the subdued Canadians. Even the
recluses in Spain are social creatures. Will the eight of us deafen him with upstairs
dynamics?
The house is very open and cool. The surrounding garden includes a
stone swimming pool, twin ponds with goldfish, a clothesline, the chicken coop and a
barbecue pit. We are to share these things with Javier while we are here. He explains that
he has 200 kilos of organic potatoes and that he cannot eat them all, so we are to tell
him when we need more. He tells us that he has bread delivered each morning and to let him
know how many we would like.
Chucha sits under the table. We tell Javier about Mariam and how we
found Huerta Santa Maria. Javier doesnt like the booking agency and gets most
of his guests by word of mouth. He tells us about how he lived in Mallorca for 15 years
and used to be a vegetarian, but then he moved back to Andalusia where the Jamon is
so good. He tells us he has a fiancée in Seville and is going to visit her tomorrow. He
is going into Seville to buy a heater because all of the French and English who come to
Andalusia in the winter complain that it is too cold. Javier says that he doesnt
know why the English bother to live in London when they are always in Andalusia.
After the meal Javier goes out to herd his sheep and we walk to the end
of the road and examine the surroundings. At six o'clock the three of us hop into Alfi and
drive up the road to a friend of Javiers who is a mechanic. Javier asks him to look
at Alfis undercarriage. The young man tests Alfi in the driveway. It seems that
every time a mechanic sees Alfi, he wants to take her for a wee spin and invariably revs
the peppy engine for accurate Alfa recognition. After a few back and forths between 5th
and reverse, the fellow parks Alfi over a pit in his garage and tightens the bolts on the
gear shaft. There is another man here, too, perhaps the mechanics father. He wants
to test Alfi as well, and zooms up and down the driveway. Javier listens to us in French
and translates to his friends in Spanish. His French is very good even though he says he
has not spoken the language for fifteen years.
Finally, the friend says "Denada" (no problem) and we
shake his hand and Javier directs us into the town of Galaroza for some supplies.
Theres a small market and we pick up some oranges and hot chocolate. Javier likes
Alfi and pats the dashboard when we introduce her as "Alfi". Javier thinks it is
funny that we have named our dog Emilia, a persons name.
Huerta de Santa Maria is dark when we return, Chucha greets us
at the bottom of the tiled steps, leading to a front door that never gets locked, and
rarely gets closed. Javier has a radio telephone, with slow Internet connection. He says
it is very expensive.
We say Buenos Noches, and Javier follows us upstairs to the
Salon. He opens a drawer and pulls out a packet of Antacid tablets. Rich says he can take
them with him, but he simply pushes a tablet from the package and replaces it in the
drawer. He then says goodnight and goes downstairs. We are wondering if Javier is going to
come up every evening a take an antacid tablet.
Now weve got the wood stove burning. Theres a box cut out
of the tile floor where the wood is stored. The box has a wooden lid that lifts up with a
little string. Half of the last weeks laundry hangs on the line outside, the other
half on chairs next to the stove. This long dining table is an extra large desk. The
Joy Mode never dies, it just changes shape.