01/31/99-Grutas de las Maravillas

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013199-at times along the path the ceiling is quite low and you must crouch.JPG (32803 bytes)
at times along the path the ceiling is quite low and you must crouch
013199-large sheets of calcium deposits meet small stalagmites at the edge of the path.JPG (44733 bytes)
large sheets of calcium deposits meet small stalagmites at the edge of the path
013199-one of six lakes in The Grotto of Marvels reflects the natural formations on the cave ceiling.JPG (27128 bytes)
one of six lakes in The Grotto of Marvels reflects the natural formations on the cave ceiling
013199-the impromptu photo taken of Sara and I at the Grotto that we paid for as it is so poor.JPG (20928 bytes)
the impromptu photo taken of Sara and I at the Grotto. Visitors are charged at the end of the tour.
EXCERPT FROM SARA’S JOURNAL

January 31, 1999

Huerta Santa Maria

Near Galaroza

Gruta de las Maravillas, Aracena

This is our third attempt to visit The Grotto of the Marvels in Aracena. Our former attempts have left us waiting for twenty-five or more visitors in order to warrant the hour-long tour. Today is Sunday, and the sun is shining. It’s 18 degrees and most of Seville has driven to the Sierra for lunch and sightseeing. There are plenty of Gruta-goers.

The Gruta de las Maravillas is the most extensive cavern on the Iberian Peninsula. The interior covers a space of 1200 metres, and includes six lakes, and twelve "rooms", some as large as cathedrals, with names such as "The Emerald", "The Skins", and "The Glassware of God". The caves drip and grow with stalactites and stalagmites, calcareous formations and erosions.

The temperature of the grotto is the same at any time of year. It sits at a humid 17 degrees. My face is damp, and the soft, porous walls are wet and dribbling. The caves are illuminated with spotlights. Pools are crystal clear. It’s almost as if there is no water at all--the bottom of the lakes are as clear to see as the walls and ceilings. There are so many varied formations—crab-like points, soft, bulbous forms, dripping Francis Bacon faces, millions of infant stalactites, growing like baby ferns from the roof.

The rooms go on and on, up and down, with stairs carved in the floor and constructed modern walkways. Sometimes we have to crouch when we walk through a passageway. The formations range in colour from pink to salmon to deep umber. Some look like shelf fungi. Some are large and mimic a lioness creeping from her den. Water drips from every ceiling’s endless cavern.

After an hour deep within the mountain at the edge of the city, we emerge into the daylight. Aracena remains as we left it—there is public sculpture at every turn. The cafes are with families, sipping Sherry and digesting chorizo and Jamon. The shops sell azujelos and pottery, and glass and the perfect keepsake for a little boy or girl—the canario is a palm-sized decanter-whistle. When you fill it with water and blow, it sings like a canary.

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