09/23/99-Saraphina

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092499-mourning mother and child.JPG (140196 bytes)
A few last looks at Paris's art collection.092099-Clock inside the Musee d'Orsay.JPG (64231 bytes)
The clock in the Musee d'Orsay reminds us that time is running out on our year-long sojourn.
092099-Sara in the Musee d'Orsay.JPG (50728 bytes)
Looking out at the Seine from the Musee d'Orsay on the Left Bank.boats on the pond.JPG (43173 bytes)
Toy sailboats are popular with children and adults at the pond at the Jardin de Tuillieres.Rich pretends to sleep by the pond.JPG (45123 bytes)
It's the stuff of dreams.
Sara with 101 days to the Millenium.JPG (39965 bytes)
Sara at 101 days until the turn of the Millennium.looking down the Seine from the Eiffel Tower.JPG (33541 bytes)
From the Eiffel Tower, the world is a wide and wonderful place.

EXCERPT FROM SARA’S JOURNAL

September 23rd, 1999

Saraphina

It rains in the night, ribbonning the streets shiny and washing away what's left of the market -- abandoned strawberries and indigo grapes. Our dormer blows with a makeshift blind, wetting the sill, blowing fresh air into the little bachelor. In the morning I'm thinking about those lavender fields in the Alps, weeks ago, when we were crisped with summer air and the sunshine of the Plateau Glandasse, when we were sitting on the ground in the evenings exhausting the variations of lavender honey on crusty baguettes. Today we'll stroll through the Musee de Louvre without the pressure to see it all; we'll dawdle at the river bank, the left side and the right side to see if kissing's any different at each. The Orangerie and its penultimate Waterlilies is closed for Millennium preparations -- no Monet today. Instead, an amicable consolation: The world's finest collection of Post-Impressionist paintings at the Musee d'Orsay, with Van Gogh, Gaugin, Cezanne. 

This afternoon I'm working on the pastels, remembering the Alps, the fields, the vineyards in between. Later, a stop at the cyber cafe, then a buttery meal in the most miniscule of brasseries -- the kind where they have to pull the tables out from the wall in order for you to sit down, and they make up the dessert as they go along. Our waitress, the chef's daughter, says, "For you, this evening, I have two small cakes with poached pears, and three kinds of ice cream, home made, all together. yes?" Well, alright.  

At midnight, after the sun has set  all the lights come up and the city twinkles from the heights of the top of the Eiffel Tower. I'm wondering where that Ferris wheel went, the one we rode the last time we were in Paris, a few years back. In summer, at the Place de la Concorde you can ride the wheel until it stops at the top, and look out at the river, the tower, the boulevards, for pocket change. In early autumn they move the wheel out to the Bois de Bologne, the 19th century hunting grounds and strolling park. Too late in the year for wheeling. 

In two days our chapter ends. Just this chapter. From here at the top of the tower, we've a 360 degree view -- what's behind, beside and before us. Our standing here, between  the celestial and earthly stars, is the result of both preparation and serendipity. It's because of the generosity and good will of others but not without our own self-centred gift-giving. It, like probably most everything, required and solidified an enamoured commitment.  Our Mosey gift leaves an indelible mark on us, and whatever comes next. 

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Last modified: January 30, 2000