09/25/99-Exhibit-Powder Scenes

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SARA GENN
At the Threshold of Paradise, The Pueblo Blanco, Gaucin, Spain 30 x 34
At the Threshold of Paradise, The Pueblo Blanco, Gaucin, Spain
30 x 34 inches

Powder Scenes - Notes from France and Spain
Exhibit Opens:
February 4th, 2000

Please join us for the opening reception
Friday February 4th, 2000
Sara and her family will be in attendance
7:00 PM - 10:30 PM

Below is a sample of works that will be on display at the gallery.
All works from this exhibition will be available for sale beginning
February 4th, 2000 by phone, fax, email or through our website.

Click on thumbnail for a larger image:

The Preparation of Afficionados, Triana, Seville, Spain 30 x 34 Behind the Conservatory, Seville, Spain 30 x 34 The Pueblo Blanco is a Canvas, Vejer de la Frontera, Spain 30 x 34
The Preparation of Afficionados, Triana, Seville, Spain
30 x 34 inches
Behind the Conservatory, Seville, Spain
30 x 34 inches
The Pueblo Blanco is a Canvas, Vejer de la Frontera, Spain
30 x 34 inches
Carmen Keeps Her Cool Behind the Patio of Oranges, Seville, Spain 36 x 48
Carmen Keeps Her Cool Behind the Patio of Oranges, Seville, Spain
36 x 48 inches
A Month at the Chapel, Santa Maria, Sierra de Aracena, Spain 30 x 30 Mariam's Studio Near the Alameda, Seville, Spain 30 x 30 Variations on Javier's Door, Santa Maria 1633, Sierra de Aracena, Spain 30 x 30
A Month at the Chapel, Santa Maria, Sierra de Aracena, Spain
30 x 30 inches
Mariam's Studio Near the Alameda, Seville, Spain
30 x 30 inches
Variations on Javier's Door, Santa Maria 1633, Sierra de Aracena, Spain
30 x 30 inches
In Pursuit of the Secret Garden, Granada, Spain
20 x 60 inches
Seeking Directions Behind The Cathedral, Santa Cruz, Seville, Spain 30 x 30 Balcony for the Satiated, Alahar (Hill), Spain 30 x 30 Walking to Portugal, Fuenteheridos, Spain 30 x 30
Seeking Directions Behind The Cathedral, Santa Cruz, Seville, Spain
30 x 30 inches
Balcony for the Satiated, Alahar (Hill), Spain
30 x 30 inches
Walking to Portugal, Fuenteheridos, Spain
30 x 30 inches
A Cool Space - the Moorish Albaicin, Granada, Spain 24 x 48
A Cool Space - the Moorish Albaicin, Granada, Spain
24 x 48 inches
Ask the Butcher, Ask the Baker, Ask the Barber, Seville, Spain 20 x 60
Ask the Butcher, Ask the Baker, Ask the Barber, Seville, Spain
20 x 60 inches
Paper Andalusia - I Planted Paperwhites, Seville, Spain 13 x 20 Paper Andalusia - The Height of the Wave, Triana, Seville, Spain 13 x 20
Paper Andalusia - I Planted Paperwhites, Seville, Spain
13 x 20 inches
pastel on paper
Paper Andalusia - The Height of the Wave, Triana, Seville, Spain
13 x 20 inches
pastel on paper
Paper Andalusia - Chasing Shadows in the White Village 10 x 26
Paper Andalusia - Chasing Shadows in the White Village
10 x 26 inches pastel on paper

Sara working in Die "…Soft pastel…pure pigment and paint layers…It’s like everything around us. It’s like Seville itself. Powdery walls. When you touch, you think the paint will come off on the tip of your finger like talc…In the heat of the afternoon the street is a cool strip of stripes in the fleshiest of tones…"

Jenkins Showler Gallery has a wide selection of works by Sara Genn. Please contact us or call 1-604-535-7445 for further information.

Sara Genn

Sara painting in studioSara Genn was born in White Rock, British Columbia in 1972.  When she was 6 years old the National Gallery, London, chose her painting for their children’s collection. She attended York House School in Vancouver and graduated with the Art Prize and Provincial Art Scholarship.  In June 1994 Sara graduated from Queen’s University at Kingston, Ontario with a Bachelor of Fine Arts degree.  Sara is the daughter of Canadian artist Robert Genn.

Sara works mainly in oil and acrylic on canvas, but has also worked in pastel, watercolour and print media.  She started exhibiting her work in her second year of university and has since exhibited in Western Canada and won collectors in North America, Asia and Europe. Sara is currently represented in Banff, Whistler, Calgary and Regina, as well as White Rock, Vancouver, Penticton and Kelowna.

Sara is a developing, exploratory artist.  She is often experimenting with new techniques and likes to work in a variety of subject matter – committed to her investigations of colour, reduced themes and strong design. Sara’s work is always changing, but a common theme runs through all of her imaginings – a love of colour and its relationships and a tenacious repetition of motifs.   Her work finds its roots in a childhood of cartooning, an imagination for stories and a passion for colour invention.

Solo and joint exhibitions of Sara’s work include:

May, 1999 - Jenkins Showler Gallery, White Rock, B.C.
October 1997- Assiniboia Gallery, Regina, Saskatchewan
September 1997- Hambleton Galleries, Kelowna, B.C.
November 1996- Canada House, Banff, Alberta
March 1996- Humberston Edwards, West Vancouver, B.C.
February 1996- Jenkins Showler Gallery, White Rock, B.C
December 1995 - Hambleton Galleries, Kelowna, B.C
December 1994 - Humberston Edwards, West Vancouver, B.C.
June 1994 - Hambleton Galleries, Kelowna, B.C
December 1993 - Sheck Gallery, Calgary, Alberta
December 1992 - Humberston Edwards, West Vancouver, B.C.
June 1992 - Jenkins Showler Gallery, White Rock, B.C

In the winter of 1997 Sara completed a 12-foot polyptych for the United Way of the Lower Mainland’s Head Office at the Mel Jr. and Marty Zajac Memorial Building in Burnaby, B.C. Her work is included in corporate collections including Crown Life Insurance, Regina, Saskatchewan, Canuck House, Vancouver, B.C., Peace Arch Memorial Hospital, White Rock, B.C  and the Surrey Cancer Clinic, Surrey, B.C. Sara’s work has also been included in a book published by Assiniboia Galleries featuring ninety-five Canadian artists entitled Treasured Moments.  In the Autumn of 1997 Sara was featured on Canadian Living Television as an up-and-coming Canadian artist. In October of 1999 Sara returned from a year of living and traveling Western Europe with her partner, Richard Thompson. Together Sara and Richard have written and published their illustrated travel journal Saraphina Mosey.

 

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