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Sara's watercolour pallette gets some attention as we are settled again.111098-excerpt from Sara's sketchbook.JPG (21331 bytes)
An excerpt from Sara's sketchbook.

EXCERPT FROM SARA’S JOURNAL

November 10, 1998

Cameyrac et St. Sulpice

I’m starting to concentrate. The fog is lifting. My bleary head is clearing up and I feel as though I can think and process my pictorial ideas now. I know that too much moving around breaks my concentration. "She stopped traveling long enough to start painting." I also know that driving rain makes it a little hard to look out and around. This is perfect. I feel no hindrances. I want for nothing and am happy with whatever we do, whenever we do it, and at whatever pace. This is all good. Combined with plenty of stimulation it is the optimum studio state. The tranquility and at the same time, Montessori of our gite is inspiring.

Today I reviewed the website and edited a little more. My writing seems to ebb and flow and I can see that the website and my journal lurch a little at the beginning. It’s like Alfi. Warm her up and she gets into a rhythm (I suppose this can also be said about me in general).

I love my Paperchase pocket sketchbook but will buy some bigger paper tomorrow in Bordeaux. Yesterday I saw a tantalizing art store in the Maderiac District. Tomorrow is free museum day and Rich and I plan to take full advantage.

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