12/04/98-Joy Mode

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120498-dingle dingle dingle munch munch munch.JPG (31106 bytes)
Dingle dingle dingle munch munch munch - the sounds of the Basque countryside.120498-grubby sheep wool can't be good for sweaters.JPG (49895 bytes)
One must have to clean these grubby sheep's wool before making sweaters.120498-follow the road to Sara.JPG (24187 bytes)
We intend to follow the road to Sara one day.
EXCERPT FROM SARA’S JOURNAL

December 4, 1998

Arbonne

Cote Basque

We’re in The Joy Mode. Happiness is attainable for all who are ready. Rich and I have found a rhythm and it’s a contented way to spend our days. We sit across from each other at the big, heavy square table. It’s a two-sided desk for our materials and laptops. The hours pass and we work and don’t speak. Then one of us gets up and makes some food. Then we have a "conference" and discuss what we are doing, what we want to do, what we don’t want to do and that the other should do it. Mosey is our project and we both contribute elements that are challenging to create. We are learning and working and feeling excited at the accomplishments our learning brings. Camaraderie blossoms in our mutual efforts.

We bask in this honeymoon. Rich doesn’t get up and leave the house for work anymore. In Vancouver, my studio was at home and I loved combining my homee and my work. It’s an "incorporated" way of life. Now there is no clock. Our bodies are propelled by our desires.

At night we get into bed and talk and talk and talk…about what we want for Mosey and our dreams for the trip and what we would like to accomplish with these creative and technological pursuits. We sound our ideas and share our excitement and fall asleep happy in each other’s arms.

In the morning one of us gets up and makes the mocha in the petit dejeuner bowls and brings it to bed. We decide if it is going to be a looking around day or a working day. There is always something to learn on both the outside and the inside.

Rich is focused now and tells me that being away is essential to this concentration. He’s able to think solely in the moment and of the task at hand, and not be distracted by scattered interests or feelings of obligation towards other work. He tells me this time away is golden and I agree it’s a beautiful experience to free oneself from what becomes the daily routine. To muse and thrive on new surroundings and the possibilities of the make-shift studio. This time allows me the opportunity to develop other creative vehicles, and to recharge my batteries for the next body of paintings. I am enjoying the challenge of the journal and the dreams Mosey generates. Our shared Joy Mode is inspired.

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