10/20/98-Rain Notes

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102098-unshorn sheep lying on the ground.JPG (19367 bytes)
A soggy sheep waits out the storm. 102098-cow in field.JPG (23932 bytes)
Early morning chewing is audible from our front door.

EXCERPT FROM SARA’S JOURNAL

October 20, 1998

Near Ballyferriter
Dingle Peninsula

Rain Notes

The cottage is drenched and pummeled with rain and wind. The wind whistles and rattles the windows and doors and roof. It whistles down the chimney and sucks our smokeless peat briquettes into burning coals. To peer out the window is to fear for the sheep and cows.  Rich assures me that it’s all what you’re used to, and I am simply not accustomed to the torrential personal assault and the sideways downpour that changes direction and turns on itself at the whim of the blizzardous wind.

A friend gave me a book before I left called Notes To Myself – A Guide to Creative Journal Writing. It gives directions on how to use a journal as a conversation with one’s self. A journal is a private haven and a chance to be free with one’s thoughts. This is more difficult than it sounds. One is often writing with others in mind. It is easy to fall into a trap of wishy washy commentary designed to please the potential reader. It seems the journal can take any direction depending on who one thinks may read it, or who one hopes will not. I know many writers have journaled with the intention of publishing, and have either tainted their writing so as to paint themselves in a favorable or dramatic light, or simply not cared and delved into negative gossip and complaining. I want my journal to be honest and interesting. I know that my creative best wanes when I am sad and I feel most inspired during happy periods. Joy is my energy and energy is my powerhouse.

To achieve true honesty one must disregard the fear of disapproval. Self-consciousness is a prison. When Rich and I first met I forced myself to be honest on all matters. I wanted to trust him completely and knew that if I gave him my truth he would be forced to accept me or walk away. Rich was raised in a loving and supportive family,  and so in turn has grown up with a generous heart. He truly accepts me in all of my manifestations. Rich is a hearty sounding board for my erratic feelings and outbursts. He trusts my ideas and we support each other with constructive love. There is no judgement.  I am free because I can be anything at any given moment. I am certain of this  and can explore all of my Saras freely without the fear of judgement or disapproval. Rich is a beautiful, once-in-a-lifetime gift.

I want to share my feelings and experiences because it is spellbinding to think that others might connect. E.M Forster said Only connect. I’ll put into words my experience as it is unfolding now in my life…in such a way that I might find comfort in knowing that someone else has the same thoughts and experiences. Half of the pleasure of painting and feeling the joy of the creative act is sharing it with others and the feeling of connection. It could just be the colour. But it is something that someone other than you has seen and felt. It is momentous. It is magic.

This writing exercise is entirely different from the abstract joy and mysterious colour and design communication of painting. Writing is in a language that everyone can understand and is blatantly interpreted. Even poetry contains a more concrete meaning than a brushstroke. I can hide as much as I want in my colours. The only way to hide in this feat is to not do it. That is scary.

Irish novelist Niall Williams' book Four Letters Of Love   addresses the fleetingness of perfection. Perfect love, perfect ecstasy, perfect tenderness, perfect adoration. Before things get muddled with time and anger and boredom and complication and duty. It is a timely read in Rich and my sixth year together and at the threshold of our engagement…this supposed "new phase". The thing is, Rich and I never felt the need for  another, weightier phase of commitment or resolve for our love. And everyone interprets the engagement differently. Four Letters follows characters who are in a constant battle with the fleeting nature of intensity. Love never dies, it just changes shape, Williams writes. Rich and I call it Ebb and Flow. Friend, lover, partner, teammate, confident, guardian, caregiver, family. Sometimes it’s about loving and sometimes it’s about living and sometimes it’s about needing.  Sometimes it's big dreams and other times it's little chores. But regardless, it thrives because of the existing trust in and faithfulness to our desires. The faithfulness to a delicious memory of what was perfect then, and the fostering of what is perfect now.

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