COLOUR, MOVING AND STILL
A painting is a monument. It serves for engagement, consideration, and contemplation. It celebrates as an object of desire, a provocateur, and a companion. My paintings exist to honour the act of painting by focusing on formal elements, working to achieve perfect tonal balance, harmony and rhythm. The placement of equally intense colours within color families is an effort to achieve a lyrical pleasure, vibration, tension or halation. By reducing subject matter and external references, warm and cool associations can be explored along with motif, patterning, compositional movement and saturation.
The paintings clearly present themselves as paintings, but toy with idea of bed covering, a suedey textile, a worn and stretched work of craft. In this reference I'm blurring the distinction between high art and craft, between the realms of domesticity and precious objects. I strive to create a place to "go" in my paintings, to be calm while experiencing pleasure in their rhythm, disappearances and their allusions to nature.
"Wabi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect." (Richard R. Powell)